Ali Aboutaam

In an amazing synthesis of the extraordinarily old with the most up-to-the-minute new, Hicham and Ali Aboutaam of Phoenix Ancient Art launched their landmark web site, E-tiquities. Click your way over to E-tiquities and get a gander of the most beautiful objects which have been cherished and preserved for thousands of years until our day. You are more than welcome to just browse, since one of the goals of this unique web-site is to open up the world of ancient art to a broader audience, to educate them about art from the deep past, and to hopefully interest them to belong to this special club of people who, more than owning the precious objects, become guardians of them for the future.

Even computer geeks might want to participate in the chain of ownership through the millennia, acknowledging that not everything is measured in nanoseconds, or gets obsolete in 5 years time.

The Aboutaam brothers Ali and Hicham of Phoenix Ancient Art offer a beautiful marriage ring under the category of “jewels and gemstones.” This object is a fascinating solid gold ring from the Byzantine epic. Amazing detail sets this ring off as an exquisite example of the survival of a pagan Roman custom into the context of the recently developed Christian religion.

Depicting the busts of a bride and groom bisected by a cross, a bust of Christ hovers above them with the inscription “BEOY OMONOIA” which is Greek for “concord in God”  placed above and below. The groom’s figure is engraved with an oval-shaped brooch clasping his flounced cloak closed. The bride is adorned with pearl earrings and a matching pearl collar around her neck.

Roman marriage contracts were customarily signed in front of the Emperor’s image, but the Byzantines chritianized this practice by switching the head of Christ for that of the Emperor, as seen is the coin which is approximately 1,500 years old.

Park Avenue Armory

Participating for the third consecutive year, Phoenix Ancient Art is anticipating the most successful representation in the 2009 International Fine Art and Antique Dealers Show. This fair featuring more than 60 high-end art dealerships is being organized by impresarios Brian and Anna Haughton of England. Among the huge variety of artworks and objects of interest will be Egyptian sculptures, African masks, Islamic artworks, jewelry, silver, rugs, clocks, paintings old and new, and other genres strange, rare and wonderful.

Ali and Hicham Aboutaam will be anchoring their booth at position E2 at the Park Avenue Armory, with a larger than life sculpture, carved in green basalt, of a muscular man’s torso, from the Roman period.

Phoenix will be featuring many more representatives from their wide ranging collection. For convenience and interest’s sake the Aboutaams will be publishing a catalog of their objects available at the fair. The catalogue will be available at the opening of the show.

The show will take place from October 16th until the 22nd. The Aboutaams urge you to come on down and be swept away by the incredible variety and beauty of artwork from the ancient world.

Ali Aboutaam and Hicham Aboutaam are the brother team of Phoenix Ancient Art who welcome you on a journey into the fascinating world of ancient civilization. Stepping into either of the art galleries of Phoenix Ancient Art, located in New York and Geneva, is like embarking on a journey through the ages, as you observe antiquities dating back thousands of years.

The world of ancient art is our window onto the world and the civilizations that populated it prior to the birth of our modern cultures and societies. Phoenix Ancient Art, through Ali and Hicham Aboutaam, has brought the past alive at their galleries, which means that even the general public is able to benefit from the finds and artefacts that have often been the sole domain of archaeologists and art fanatics. When it comes to art displays and galleries, as well as art dealership in antiquities, the Aboutaam family is the one address you must visit!

Pheonix Ancient Art, under the proprietorship of Ali and Hicham Aboutaam has a wide variety of ancient works of art, some depicting  themes which are more common or that we are used to from modern artistic styles. One of the more unusual or less understood themes in ancient art is that of the “grotesque.”

The archeological term “grotesque” is used to denote a distinct and important class of objects. These artifacts are usually diminutive, and vary widely in their artistic quality. The “grotesques” exploit physical deformities in the subject matter for the enjoyment of the observers. The ancient artisan frequently exaggerated to the point of caricature the maladies depicted in their subjects.

This particular style was developed in areas such as Asia Minor (Smyrna) and in Egypt (Alexandria). However the popularity of the grotesque style spread throughout the entire Mediterranean during the Hellenistic and Roman Periods.

The subjects of the grotesques varied widely and could include men, on a rare occasion women and/or children, old men, dwarves, obese, emaciated and Africans.

Seen here is a wonderful example of a small statue from the Hellenistic Period. It dates for the 1st century B.C.E. until the 1st century A.D. The statue is most likely a depiction of old man with a domed, bald head; deeply lined face; emaciated back where you can even count the ribs and vertebrae; and frail, thin arms.

Attic Greek Stamnos

In an interview with Hicham Aboutaam, we learn about a beautiful and rare stamnos, or Greek pottery, which was used in ancient times to carry liquids. In this case the liquid it carried was most likely wine.

According to Aboutaam this stamnos was made near the end of the 6th century, B.C.E. “Attic” refers to Attica, which includes Athens and was the prestige dialect of Greek.

Discussing the various types of storage containers in use in ancient Greece, Hicham explained that water would be stored in a hydria, wine in an amphora, and olive oil in a small, hanging alabastron. This stamnos was probably one of the most rare shapes of Greek vases.

This particular vase was decorated with a chariot race scene in which two dogs are included, one with a bone and the other dog running along with the horses. The Michigan painter, as he is known, depicted the scene with great feeling for the excitement and emotion of a chariot race.

On the shoulders of the vase a banquet is depicted, in which there found three women are alternating with three bearded men, reclining at the meal. According to Aboutaam it is unusual for women to be depicted on a vase in this way.